“The work started when I saw Winslow Homer’s Dressing for the Carnival in the exhibition, The Civil War, at the Metropolitan Museum of Art. The painting drew me in. I made pen drawings, mapping relationships, rather than pictorially recreating the painting. I found deep layers of complexity: formal, racial, American relationships.” Judy Glantzman.
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| Judy Glantzman, Columbo and Catherine Marie Jean, 2015, Acrylic on Canvas, 18 x 24 inches |
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| Installation View |
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| Judy Glantzman, Baltimore, 2015, Graphite, ball point pen, Sharpie, acrylic and water color on paper, 73 x 55 1/4 inches |
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| detail, Baltimore |
